New World Order Film
This movie is getting some attention. It is a documentary about the 9-11 Truthers, apparently with heavy focus on Alex Jones and Luke Rudkowski. The directors themselves are not Truthers, so supposedly the film is balanced and even-handed. Quite a bit of discussion about the movie here:
Jones has turned his Infowars concept into a cottage industry. But the truly telling part of New World Order is its revealing depiction of the individuals who spend their spare time establishing alternative communities or burning DVDs to hand out at the World Trade Center site.
Alternately amusing and poignant, New World Order peels back a layer of mystery to show the conspiracy theorists’ strange world. Meyer and Neel set out to make an even-handed documentary that lets Jones and his people speak for themselves, and they’ve succeeded. It’s an interesting and compelling portrait of a thriving subculture.
Unfortunately some of the reviewers are quasi-kooks:
You’ll either shake your head in amazement at how some people can be so insane, paranoid and obsessed or, you’ll see that there are some pretty damned convincing arguments to be found about where our country is headed as well as the events surrounding the 9-11 attacks. Documentary filmmakers Luke Myer and Andrew Neel’s “New World Order” take us into the world of the “conspiracy theorists” in their outstanding new film, “New World Order.”
Meyer and Neel succeed in doing exactly what any great documentarian should – never turn away, whatever the circumstances. Just when the viewer is becoming concerned that the film might have intentionally set out to be overly symapethic, there's a sequence where the extreme, almost unsettling presence of obsession becomes obvious. This is wonderfully illustrated by a few brief conversations with Jones which play up his humanity – and to a certain extent his believability – juxtaposed moments later by a radio interview in which Jones falls aggressively, uncomfortably into character, unleashing an impassioned rant in an almost hypnotic state of rage. And yet for every moment of relative "craziness," there's a softer, quieter moment where these characters are shown to be people, caring and loving and always with the best of intentions.
Dylan drops in and we can see that the Jones-Avery civil war is still simmering:
I'm not sure how I feel about Alex being represented as the leader of the 9/11 truth movement.
Or any of us, for that matter.