The Art Students Story
Of course it starts with a tiny morsel of truth, which he surrounds with a gigantic, oozing mass of TROOF. Here's the real story from the New York Times:
In short, the book belies the extravagance of the feat it seems to document: the covert installation, and brief use, of a balcony on the 91st floor of the World Trade Center, 1,100 feet above the earth. Eight photographs -- some grainy, all taken from a great distance -- depict one tower's vast eastern facade, marred by a tiny molelike growth: a lone figure dressed in a white jacket, standing in a lectern-size box.
Elinoff states that they illegally lived in the towers; I don't know whether that's true. The New York Times says that they were legally there:
In the spring of 2000, Gelatin and 14 other artists shared free studio space on the 91st floor, where the group's artmaking appeared to consist of building a clubhouse out of cardboard boxes.
However, most office buildings do not allow people to "live" there 24/7, so in terms of living there he may be right, but Elinoff is definitely concealing the fact that they were in the building legally.
As to the claim that Austrian and German art students were somehow tied to the Mossad, it's laughable. That Elinoff claims he has "exclusive" information is even funnier; exclusive with the exception of the New York Times, I suppose.
At any rate, they were out of the towers by August of 2001, when the story was written in the Times. I suppose the Troofers will push the theory that these were the guys who brought the super-duper nanothermite into the building.